The Blombos Cave 300 km east of Cape Town is where the earliest signs of art produced by anatomically modern humans were found (see Snippets on human evolution October 2011). The most publicized was a shaped piece of ochre etched with a hashed pattern of lines (Henshilwood, C.S. et al. 2018. An abstract drawing from the 73,000-year-old levels at Blombos Cave, South Africa. Nature v. 561, online; DOI: 10.1038/s41586-018-0514-3). This and the ochre-processing workshop where it was found gave a date of about 100 ka, Now another item has hit the newsrooms; a ground piece of flinty silcrete that shows signs of being the product of knapping, on which has been drawn a similar pattern, which resembles the now ubiquitous ‘hashtag’ associated with Twitter. The level in the excavation from which it was removed gives an age of about 75 ka. Like the earlier artifact, it involved the use of ochre but in a way that has been said to be an example of drawing or painting, rather than etching. It is likely to have been produced by a sharpened piece of solid ochre, perhaps a kind of crayon
For some reason the object has been hyped as the earliest example of art and of advanced cognitive abilities. But the pattern is not as complex as that on the original etched ochre block from Blombos, or even those on a freshwater mussel from Trinil in Java that could have =been made by associated Homo erectus between 430 and 500 ka ago. This does not take the context at Blombos into account. There is ample evidence that ochre, along with charcoal and burnt seal bone, was being ground there and made into paint found in an abalone shell. It can be surmised that such paint was used for some kind of decoration that has not yet been discovered. That is quite possibly because it was used for body paint as similar materials are still widely used. Now anyone – male or female – who uses cosmetics today, be it foundation, lipstick, eye-liner and -shadow or the truly fabulous make-up used by the Kathakali performers of Kerala, takes an age to try and to decide on which of an almost imperceptible range of shades to apply. Ochres are like that, as any native Australian artist will tell you.
To me, the most likely origins of both kinds of Palaeolithic hashtag are: in the case of the ‘drawing’, checking the colour and ‘grindability’ of a sharpened piece of red ochre before use; and for the etched block, using a sharp tool to grind off small amounts from what may have been a well-used block of an especially valued hue.
A revised and updated edition of Steve Drury’s book Stepping Stones: The Making of Our Home World can now be downloaded as a free eBook